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¢ßµðÁöÅ»·¹ÄÚµå
2016.11.25
01. ´ÄÀº °¥´ëÀÇ µ¶¹é
02. ³ªºñ
03. ´ç½Å
04. ²Þ±æ¿¡¼­
05. ÆĶõº°
06. ¸ðÁ×Áö¶û°¡
07. ¾îºÎ»ç½Ã»ç
08. ±×¸®¿î À̸§ Çϳª
09. ½Å °ü»êÀ¶¸¶
10. »êµéÀÌ ¿Å°ÜÁö°í_ÀÌ»ç¾ß 54Àå 10Àý


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-Track Review & Credit-

01. ´ÄÀº °¥´ëÀÇ µ¶¹é 7:13

composed by ½Åâ·Äpoem ¹é¼®

Çѱ¹ ±ÙÇö´ë¸ð´õ´ÏÁòÀ» ´ëÇ¥ÇÏ´Â ½ÃÀÎ ¹é¼®ÀÇ ±ÛÀ» Á¤°¡Ã¢¹ýÀÇ ³ë·¡¿Í ±âŸ¹ÝÁÖÀÇ ÇüÅ·Π´Ü¾ÆÇÏ°Ô ±¸¼ºÇÏ¿´´Ù.
ÀÛ°î ½Åâ·Ä/½Ã¹é¼®
A. guitar °í¼®ÁøA poem by BaekSeok, who represents Korea¡¯s modern and contemporary modernism poetry, was turned into an elegant musical piece by utilizing jeongga styled singing with the guitar appointment.
Composition: Changryeol Shin / Lyrics: SeokBaek
Guitar: SeokjinKoh

02. ³ªºñ5:14
composed by ¹Ú½Â¿øwritten by ¹Ú½Â¿ø

1919³âºÎÅÍ 1940³â±îÁö Çѱ¹À» ¿©·¯Â÷·Ê ¹æ¹®ÇÏ¿© Çѱ¹ÀÇ ¸ð½ÀÀ» ±×¸²À¸·Î ´ã¾Æ³½ ¿µ±¹È­°¡ ¿¤¸®ÀÚº£½ºÅ°½ºÀÇ ±×¸²À» º¸°í ¿µ°¨À» ¹Þ¾Æ ÀÛ°îÇÏ¿´´Ù. ä»ö µÇ¾îÁø ¼­¾çÈ­¼ÓÀÇ Çѱ¹ÀÇ ¿¾¸ð½ÀÀº ½Åºñ·Ó°í ¾Æ¸§´ä±â¸¸ ÇÏ´Ù. ±× ¾Æ¸§´Ù¿î ±â¾ïÀÇ Æí¸°µéÀÌ ³ªºñÀÇ ³¯°¹Áþó·³ ¾Öó·ÓÁö¸¸ »ç¶ûÀ̶ó´Â À̸§À¸·Î ´Ù½Ãž±æ ¹Ù¶ó´Â ¸¶À½À¸·Î...
Ãʹݿ¡ µé¸®´Â Í´±è¿ùÇϼ±»ý´ÔÀÇ ¿©Ã¢Áö¸§½ÃÁ¶°¡ ±× ¾Æ¸§´Ù¿î ±â¾ï°ú ±³Â÷ÇÑ´Ù.

ÀÛ»ç,ÀÛ°î ¹Ú½Â¿ø
°¡¾ß±Ý ÀÌÁöÇö,ÇãÀ±Á¤/string Æí°î, ¹ÙÀ̿ø° ÃÖ¼ºÀº/ÿ·Î À̼öÇö
This song was inspired by the work of Elizabeth Keith, a Scottish artist whose works have been significantly influenced by her travels to Korea from 1919 to 1940. Old Korea depicted in the colored western painting seems marvelous and mysterious. The scattered pieces of memory seem feeble as the flapping wings of a butterfly, but I wish the memory be restored in the name of love...
Master Wolha Kim¡¯s voice at the beginning also overlaps with this beautiful memory.
Composition, Lyrics: Seungwon Park
Gayageum: Jihyeon Lee, Yunjeong Huh
/ String arrangement, Violin: Seongeun Choi / Cello: Suhyeon Lee

03. ´ç½Å3:25
composed by ÃÖÁöÇýwritten by ±è»êÈ¿

Æò»ýÀ» ÇÔ²²ÇØÁÙ »ç¶ûÇÏ´Â ³²Æí¿¡°Ô °í¸¶¿òÀ» ³ë·¡ÇÕ´Ï´Ù.

ÀÛ°î ÃÖÁöÇý/ÀÛ»ç ±è»êÈ¿
Çϸð´ÏÄ« ±Çº´È£/±âŸ ¹ÚÁø¸ð/ÇǾƳë ÃÖÁöÇýFor my beloved husband, with whom I will be spending the rest of my life, I dedicate this piece to express
my deep gratitude.
Composition: Jihye Choi / Lyrics: Sanhyo Kim
Harmonica: Byeongho Kwon / Guitar: Jinmo Park
/ Piano: Jihye Choi

04. ²Þ±æ¿¡¼­5: 35
composed by ±è¼º±¹poem ȲÁøÀÌ

ÀÌ ½ÃÀÇ ½Ã¾î°¡ Âü ¾Æ¸§´ä°í ¾ÖƶÇÏ´Ù.
ÀÌ ¾Æ¸§´Ù¿î ½Ã¾î¸¦ ´ÙÄ¡°Ô ÇÒ±î Á¶½É½º·´°Ô ¼±À²À» ºÙ¿´´Ù.
ÇÑ È£Èí ÇÑ È£ÈíÀÌ °¡½¿ÀýÀýÇÏ°Ô »ì¾ÆÀÖ´Ù.

ÀÛ°î ±è¼º±¹/Çѽà ȲÁøÀÌ(»ó»ç¸ù)
ÇǾƳë ÃÖÁöÇý/±¸À½Á¤°¡ ¾Ó»óºíSoulÁö±â ±èÁö¼±, Á¶ÀǼ±
The lyrics of a poem written by Hwangjini (famous female entertainer in Joseon Dynasty era) sounds particularly beautiful and wailful.
In the fear of hurting these poetic words, a melody was added carefully and gently. Every breath of the song comes more alive and wailful.
Composition:Sungkook Kim / Lyrics: Hwangjini¡¯s Sangsamong (Lovesick dream)
Piano: Jihye Choi / Chorus: Jisun Kim, Uisun Cho (Jeongga Ensemble Souljigi)

05. ÆĶõº° 5:31
composed by ¾ç½Âȯ, À±¼­°æ

°æ±â´ë dz·ùÁß ¿°ºÒŸ·ÉÀ» ºü¸¥¼Óµµ·Î º¯ÁÖÇÑ °îÀ» ¹Ý¿°ºÒÀ̶ó°í Çϴµ¥, ÀÌ °¡¶ôÀ» ´õ »¡¸® º¯ÁÖÇÏ¿© 8/8¹ÚÀÚ ¾È¿¡¼­ 8ºÐÀ½Ç¥3,3,2 ÇüÅ·Π»õ·Ó°Ô ±¸¼ºÇÑ °îÀÌ´Ù. ÀÌ °î¿¡ ¿©Ã¢°¡°î¼±À²ÀÇ ±¸À½À» ¾ñ°í ¼­¾ç¾Ç±â¸¦ »ç¿ëÇÏÁö ¾Ê°í ÀüÅë ¾Ç±âµé¸¸À¸·Î Çö´ëÀûÀÎ »ç¿îµå¸¦ ¸¸µé¾î³»´Âµ¥ ÁÖ·ÂÇß´Ù. ÀÎÆ®·Î ºÎºÐ¿¡¼­´Â °¡°î ÅÂÆò°¡ÀÇ °Å¹®°í °¡¶ôÀ» È°¿ëÇϱ⵵ ÇÏ¿´´Ù.

ÀÛ°î ¾ç½Âȯ, À±¼­°æ
¿¬ÁÖ4ÀγîÀÌ(ö¾ÆÀï, ´ë¾ÆÀï, ¿À±ÍÀ屸 À±¼­°æ/´ë±Ý, ´Ü¼Ò ÀÌ¿µ¼·
/ÇØ±Ý ½ÅÇö¼®/°Å¹®°í, ¡ÀÌÀçÇÏ/Harmonium ¾ç½Âȯ) /ÄÄÇ»ÅÍÇÁ·Î±×·¡¹Ö ±è¸íȯ

A fast tempo variation of YeombulTaryeong, a piece from GyeonggiDaepungnyu, is called Ban-yeombul. This piece is an even faster variation of Ban-yeombul, so it delivers 3-3-2 eighths in eight-eight measure. Melody from women¡¯s gagok was added to the piece, while efforts were made to deliver modern sounds using only traditional Korean instruments. In the intro part, geomungo melody from gagokTaepyeonga was also utilized.
Composition: Soungwhan Yang, Seokyung Yun
Steel-stringed ajaeng, Dae-ajaeng, Five-tipped janggu: Seokyung Yun
/ Daegeum, Danso: Youngseop Lee / Haegeum: Hyeonseok Shin
/ Geomungo, Jing: Jaeha Lee / Harmonium: Soungwhan Yang / Computer programing: Myunghwan Kim

06. ¸ðÁ×Áö¶û°¡ 6:46
composed by ¹Ú½Â¿øpoem µæ¿À

ÀÛ°î ¹Ú½Â¿ø/½Ãµæ¿À
¼Ò±Ý ¼Û°æ±Ù/ÇÇ¾Æ³ë ±èÁø¾Æ/stringÆí°î, ¹ÙÀ̿ø° ÃÖ¼ºÀº/ÿ·Î À̼öÇö

½Å¶óÈ¿¼Ò¿Õ¶§ µæ¿À(Ôðè¡)°¡ ÁöÀº 8±¸Ã¼Çâ°¡·Î <»ï±¹À¯»ç>¿¡ Á×Áö¶ûÁ¶¿¡ °üÇÑ ¼³È­¿Í ÇÔ²² °¡»ç°¡ ÀüÇÑ´Ù. »ï±¹À» ÅëÀÏÇÑ ÈÄ È­¶ûµµ°¡ ¼¼·ÂÀ» ÀÒÀº °úÁ¤À» ¾Ï½ÃÀûÀ¸·Î µå·¯³» º¸¿©ÁÖ´Â ¿ª»çÀûÀ¸·Îµµ ÀÇ¹Ì ÀÖ´Â ³ë·¡ÀÌ´Ù. ÀÌ ÀÛÇ°Àº Áö³­³¯ À§´ëÇÏ¿´´ø ³ëÈ­¶û Á×Áö¶ûÀ» »ç¸ðÇÏ´Â µæ¿ÀÀÇ ³ë·¡·Î Áö³ª°£ º½À» ±×¸®¸ç ½Ã¸§¿¡ Á¥°í, Á×Áö¶ûÀÇ ¾Æ¸§´ä´ø ¸ð½ÀÀÌ ¼èÇÔÀ» ¹Ù¶óº¸´Â µæ¿ÀÀÇ ³¶¿¡ ´ëÇÑ ¾ÈŸ±î¿ò°ú ±×¸®¿òÀÇ Á¤¼­°¡ ÁÖ·Î ÀÌ·ç´Â °îÀÌ´Ù. ¾ÈŸ±î¿ò°ú ±×¸®¿òÀº °¡»ç¸¸ ³²¾ÆÀÖ°í ³ë·¡´Â »ç¶óÁ®¹ö¸° Çâ°¡¿¡¼­µµ ¿³º¼ ¼ö ÀÖ´Ù.
»ç¶óÁö´Â °Í°ú ´Ù½Ã »ì¾Æ³ª¾ß ÇÒ °ÍÀ» »ý°¢ÇÏ¸ç °¡»ç¿¡ ³ë·¡¸¦ Áö¾îº»´Ù.

Mojukjirangga is a representative 8-line hyangga composed by Deuk-o in the Silla Dynasty. Based on a folktale of Jukjirangjo in SamgukYusa, the song carries a special meaning and historical significance as it depicts a story of hwarang. This piece is a song of Deuk-o, who admired Jukjirang, a great veteran Hwarang. Here, Deuk-o laments the spring seasons that passed and the elegance of Jukjirang that was fading while expressing his longing for the past. Similar feelings of sadness and yearning also exist for the piece itself whose lyrics only remain without the music. Thinking about things disappearing and things to be brought back to life, the music was composed to the remaining lyrics.
Composition: Seungwon Park / Lyrics: Deuk-o
Sogeum: Gyeonggeun Song / Piano: Jina Kim
/ String Arrangement, Violin: Seongeun Choi / Cello: Suhyeon Lee

07. ¾îºÎ»ç½Ã»ç 5:06
composed by ½Åâ·Äpoem À±¼±µµ

ÀÛ°î ½Åâ·Ä/½ÃÀ±¼±µµ
Horus, ´Ü¼Ò ¼Û°æ±Ù/°¡¾ß±ÝÁ¤Çý½É/Bass ¼­Á¤Ã¶
/Ÿ¾Ç¹×ÇÁ·Î±×·¡¹Ö ½Åâ·Ä/ÄÚ·¯½ºÁ¤°¡¾Ó»óºíSoulÁö±â ±èÁö¼±, Á¶ÀǼ±

1651³â À±¼±µµ°¡ º¸±æµµ¸¦ ¹è°æÀ¸·Î ÁöÀº ´Ü°¡ Áß Ãß½½·¯ ¸¸µç âÀÛ°îÀÌ´Ù. Çö´ëÀûÀÎ »ç¿îµå¿Í ¸®µë°¨¿¡ ÀüÅëâ¹ýÀÇ º¸ÄÃÀÌ »õ·Î¿î Á¶ÇÕÀ» ÀÌ·é´Ù.

This piece was created based on lines from Seondo Yoon¡¯s poem written in 1651. In the poem Yoon illustrates four seasons of Bogil-Island borrowing the voice of a fisherman.
This musical piece presents a fresh impression with a traditional styled vocal singer singing to modern sound and rhythm.
Composition: Changryeol Shin / Lyrics: Seondo Yoon
Horus, Danso: Gyeonggeun Song / Gayageum: HyesimJeong
/Bass: Jeongcheol Suh /Percussion and Programming: Changryeol Shin
/ Chorus: Jisun Kim, Uisun Cho (Jeongga Ensemble Souljigi)

08. ±×¸®¿î À̸§Çϳª 4:39
composed by ±è¼º±¹poem ¿ëÇý¿ø

½ÃÀÎ ¿ëÇý¿øÀÇ ±×¸®¿î À̸§ Çϳª ¶ó´Â ½Ã¸¦ °¡»ç·Î ¾´ °îÀÌ´Ù.
ÀÌ ½Ã¸¦ Àаí Áö±Ý ÇöÀç ³»°¡ »ç¶ûÇÏ´Â »ç¶÷À» ¾ðÁ¦µç º¼ ¼ö ÀÖÀ½¿¡ °¨»çÇÏ°í ÇູÇß´Ù. ³ª´Â ÇູÇÑ»ç ¶÷ÀÌ´Ù. ¼¼»óÀÌ ¹à¾Æ º¸ÀδÙ.

ÀÛ°î ±è¼º±¹/½Ã ¿ëÇý¿ø
ÇǾƳë ÃÖÁöÇý

The lyrics of this song are from a poem ¡°One Name in My Memory,¡± written by poet HyewonYong.This poem is a reminder of how blessed I am, having the people I love around me, seeing my beloved ones anytime. I am a happy person. The world looks brighter.
Composition: Sungkook Kim / Lyrics: Hyewon Yong
Piano: Jihye Choi

09. ãæ°ü»êÀ¶¸¶ 5:32
composed by ¾ç½Âȯpoem ½Å±¤¼ö

ÀÛ°î, ÇÇ¾Æ³ë ¾ç½Âȯ/Çѽà ½Å±¤¼ö
Elec. guitar ±èÁ¤¿í/ÄÄÇ»ÅÍÇÁ·Î±×·¡¹Ö ±è¸íȯ

1746³â¿¡ ½Å±¤¼ö°¡ ÁöÀº ÇÑ ½Ã¿¡ °îÁ¶¸¦ ºÙ¿© ºÎ¸£´Â ½Ãâ ¡®°ü»êÀ¶¸¶¡¯¸¦ Çö´ëÀûÀ¸·Î »õ·Ó°Ô ±¸¼ºÇÏ¿´´Ù. °ü»êÀ¶¸¶´Â ÃÑ7¾ðÀý±¸·Î µÈ 38±¸ÀÇ ÇÑ ½ÃÀε¥, ÀÌ °î¿¡¼­´Â ÃÑ4±¸¸¸À» ½Ç¾ú´Ù. 1±¸¿Í2±¸´Â ÇǾƳë¿Í ÀÏ·º ±âŸ¹ÝÁÖ¿¡ ÀüÅë ¼±À²À» ¾ñ¾î ºÒ·¶°í, 3, 4±¸´Â ÇÑÀÚ·Î µÈ ³ë·§¸»À» Çö´ë¾î·Î Ç®¾î ³»°í»õ·Î¿î °îÁ¶¸¦ ¾ñ¾î ³ë·¡Çß´Ù.

Composition,Piano: Soungwhan Yang / Lyrics: Gwangsoo Shin / Elec.guitar: Jungwook Kim / Computer programing: Myunghwan Kim

This is a modern interpretation of Gwansanyungma. The original song has lyrics based on a poem by Gwangsoo Shin in 1746. Unlike the original piece, this song only contains four lines out of 38. The first and the second line feature tradition melody played by a piano and an electric guitar, while the third and the four lines present lyrics translated into modern Korean language with a new tune.

10. »êµéÀÌ ¿Å°ÜÁö°í_ÀÌ»ç¾ß54Àå10Àý5:28
composed by ÃÖÁöÇýwritten by À̼öÁ¤, ÀÌ»ç¾ß54Àå10Àý

ÀÛ°î, Æí°î ÃÖÁöÇý/ÀÛ»ç À̼öÁ¤, ÀÌ»ç¾ß54Àå10Àý
¹ÙÀ̿ø° Á¤¹ÌÇö/ÈÖ½½ ±Çº´È£/±âŸ ¹ÚÁø¸ð/ÄÚ·¯½ºÁ¤°¡¾Ó»óºíSoulÁö±â ±èÁö¼±,Á¤½ÅÇý/¹ÌµðÇÁ·Î±×·¡¹Ö ÃÖÁöÇý, ÃÖ¹Î

¸àÅä ±è¼ºÃ¶ ¸ñ»ç´Ô°úÀÇ ¸»¾¸°øºÎ¸¦ ÅëÇØ ÀÐ°Ô µÈ ÀÌ»ç¾ß54Àå10Àý ¸»¾¸À» óÀ½ Á¢ÇßÀ» ¶§ÀÇ °¨µ¿À» ÀØÀ» ¼ö°¡ ¾ø´Ù. °Å´ëÇÑ ÀÚ¿¬À» ÁöÀ¸½Ã°í ³ª¸¦ âÁ¶ ÇϽŠÇϳª´Ô²²¼­ ³ª¸¦ »ó´ëÇÏ½Ã°í ±àÈáÈ÷ ¿©±â½Å´Ù´Â ¸». ±×¿Í ´õºÒ¾î À̼öÁ¤ ¼±»ýÀ» ¿¬±¸ÇÏ´Â ±è¼öÁø¸ñ»ç´ÔÀÇ <Çѱ¹ ±âµ¶±³ ¼±±¸ÀÚ À̼öÁ¤> À̶õ Ã¥¿¡ ¾²ÀÎ Çѹ®¹ø¿ª±ÛÀ» ÇÔ²² ¿«¾î ÀÌ °¨µ¿ÀÇ ¸¶À½À» ³ë·¡·Î ¸¸µé¾ú´Ù. ÀÌ °îÀº Çϳª´ÔÀ» ÇâÇÑ ¿ì¸®ÀÇ äñÊ°ÀÌ´Ù.

Composition, Arrangement: Jihye Choi / Lyrics: Sujeong Lee, inspired from Isaiah 54:10
Violin: MihyeonJeong / Whistle: Byeongho Kwon /Guitar: Jinmo Park
/ Chorus: Jisun Kim and ShinhyeJeong (Jeongga Ensemble Souljigi) /MIDI Programing: Jihye Choi, Min Choi

I cannot forget how much I was moved when I first read the text from Isaiah 54:10, under the guidance of Rev. Seongcheol Lee, who is also my mentor. That message, that the lord who created the nature and man listens
and pities us. Along with the bible text, passages from the book ¡°Sujeong Lee, a pioneer of Christianity in Korea,¡± were put together as music to express the touched feeling. The music is our love song for the Lord.